Q! Film & Video Festival Jakarta
09. - 19. Dezember 2004
December 9th - 19th, 2004

Südostasien TOUR | TOUR in Southeast Asia
[ supported by the Berlin Senate (Department for Science,
Research and Culture) and the Goethe-Institut Jakarta ]

Werkschau Programm 1 | program 1
Queer Experimentelle Kurzfilme | Queer Experimental Short Films

(85 min | 1983-2001 | 8 films)
December 16th, 2004 - Jakarta, Oktagon

DER RHEIN - ein deutsches Märchen
THE RHINE - A German Fairy Tale
12 Min. | 1983 | Super8 + 16mm | col | sound [MBCFILM#05]
(Heimatfilm) | (home movie)
Where I come from, people stay at home.
Except when they go on holiday or off to war.
{Information sheet of the film, 1983}

Some filmmakers, like Michael Brynntrup, blissfully ignore conventional technical limitations and expand the presentation possibilities for super-8mm. Brynntrup's single-screen »The Rhine, A German Tale« (»Der Rhein, ein deutsches Märchen«, 1983) is an ambiguous reworking of a home movie of a family trip which the filmmaker layers so that an uncomfortable equation is made between sentiment of nostalgia and the spirit of war.
(Berlinart, exhibition catalogue Museum of Modern Art, New York 1987 - Laurence Kardish)
14 Min. | 1989 | 16mm | bw | sound [MBCFILM#30]
(Rätselfilm) | (riddle film)
Long seemed invalid the Prophet's word, - But honored it was, - By the outcome at last: - How odd the maddness, how strange a death! (Ovid, Metamorphoses)
{Information sheet of the film, 1989}

Brynntrup creates his own rococo version of the classical myth of Narcissus and Echo, a story of longing, love, and self-love. Brynntrup comments "A film in the form of a riddle is a special kind of entertainment film whereby the film's content must be deduced from the film's formal structure."
(Information The Museum of Modern Art Department of Film, 1992 - Karen Lund)
THE STATICS - Engineering Memory Bridges
21 Min. | 1990 | 16mm | bw | sound [MBCFILM#32]
(Filmpuzzle) | (puzzle film)
Rests and tests from the inquiry into prototypes.
Formal proofs through pregnant experiments on one's own body.
{Information sheet of the film, 1990}

Test cards, doodlings, film techniques and visual experiments - the mechanics of film itself form the narrative of »Die Statik der Eselsbrücken«. And again, the result is hypnotic.
(headpress Manchester, 3/91 - David Kerekes)
MODERN, das - Totentanz 7
DECA(Y)DANCE - Death Dance 7
7 Min. | 1991 | 16mm | col | sound [MBCFILM#34]
"Death mask: facial imprint of the deceased in soft plaster or wax."
{Information sheet of the film, 1991}

(...) a cycle of Death Dances, eight in all, gathered beneath the title Der Elephant Aus Elfenbein (The Ivory Elephant, 45 min 1988-93). Together they unfold a catalogue of psychodramatic rituals, a series of theme and variations Bach might have named The Art of the Skull. Photographed entirely in super-8, each figures a single performer, a skull, and a specific arena of interaction.
(Millenium Film Journal No. 30/31, Fall 1997 - Mike Hoolboom)
7 Min. | 1991 | 16mm | col | sound [MBCFILM#35]
(Lehrfilm) | (educational film)
Du weißt ganz genau, daß jetzt viele Länder Filme in ihrer Sprache herstellen ... (Original mit Untertiteln). - You know that every film has its own language ... (subtitled original)
{Informationsblatt zum Film, 1991}
You know very well, that nowadays many countries produce films in their own language ... (original with subtitles).
{Information sheet of the film, 1991}

The witty »Love, Jealousy and Revenge« explores the mobile meanings of language in film with the help of sophisticated telecommunications; an aural/oral offering.
(Hygiene and Hysteria Tour Program, UK 1994 - Sarah Turner, Ian Rashid)
5:30 Min. | 1993 | 16mm + 35mm | col | sound [MBCFILM#42]
(Kopffilm) | (head film)
Using found footage from the early 70s porn films, Michael Brynntrup creates a humorous and titillating moving collage of mediated erotic imagery - one that keeps promising the viewer always anticipated cum shot, as well as asking the question, "How 'graphic' does an image have to be before it comes pornographic?"
(Mix '95 New York, Festival Catalogue)

»All You Can Eat« by Michael Brynntrup takes the 'cum-shot' to new heights with a montage of some of the wildest, orgasmic, facial expressions ever composed to a mellow, easy listening sound track.
(Boys On Film No.6, cover text, dangerous to know 1996)
ACHTUNG - die Achtung (concentration chair)
ACHTUNG - Respect (concentration chair)
14 Min. | 2001 | 35mm | bw + col | stereo [MBCFILM#56]
(Sensations- und Besinnungsfilm) | (sensation film)
There can be no doubt that all our knowledge begins with experience.
(Immanuel Kant, Introduction to the Critique of Pure Reason, opening sentence)
Born in the body (...and in time...)
{Information sheet of the film, 2001}

Certainly even today some viewers will be affected by this work. Respect for the true art of filmmaking demanded that even the closeup be kept in, where a razor slices through an eye.
(Warning introduction to the German archival copy of UN CHIEN ANDALOU)
NY 'NY 'n why not
NY 'NY 'n why not
4 Min. | 1999 | 35mm | col | stereo [MBCFILM#53]
(Musikfilm) | (music film)
WALK / DON'T WALK / WALK. The rhythm of the nineties.
A music stroll along Christopher Street.
{Information sheet of the film, 1999}

The Jury Award is in recognition of the exceptional quality and diversity of gay and lesbian German films in this year´s Berlinale. Beginning with the inspiring selection of »AIMÉE & JAGUAR«, the first lesbian film to open the Berlinale; to (...) »NY 'NY 'N WHY NOT«, these five German films brilliantly represent the gay and lesbian community and the talent of German film-makers on the world stage.
(Special TEDDY Award 1999, International Berlin Film Festival PANORAMA)